For 6 weeks, weekly events will explore the Biennial theme in depth, in the form of lectures, round tables, films and workshops. They are aimed at a wide audience, from the specialist to the amateur, from the novice visitor to the professional - designer, industrialist, craftsman - and approach design as a resource for different fields, which are, in turn, resources for design and designers.
A cultural and scientific programme proposed by Jeanne Quéheillard, design critic
These days are free, with registration, subject to availability. They will all be held at the Ésad Saint-Étienne Auditorium (→ practical information).
A conversation between artists, historians, patrons of the arts and the curators of the exhibition En relief, créer en Arménie (In relief, creating in Armenia) looks at how creative activity in Armenia is responding to current economic, geopolitical, educational and social challenges.
3.30pm - 5pm | Conversation*
Moderator: Fanny Robin, art critic, artistic director of the Bullukian Foundation
With Naïri Khatchadourian (curator and co-curator of the exhibition En relief, créer en Arménie), Jean-François Dingjian (designer and co-curator of the exhibition En relief, créer en Arménie), Vigen Galstyan (art historian specialising in the history of Armenian cultural modernity), Gayane Sofoyan (architect, designer), Davit Kochunts (artist, designer), Marie-Lou Papazian (founding director of the Tumo Center for Creative Technologies)
*French/Armenian translation
5.30pm | Screening of the film* Si le vent tombe (1h40, 2020) in the presence of its director Nora Martirosyan
*French/Armenian translation
Professional days open to all
What does the future hold for industry in terms of available resources, both material and human? Aware of the seriousness of the issues at stake, industries are transforming their production methods, with re-industrialisation and/or relocation as their leitmotiv. These changes are turning ecology into a question of economics, digital technology and AI into a question of know-how, localisation into a question of environment, and re-industrialisation into a question of industrial model.
Historically linked to industrial production, is design still a resource? What new relationship models are emerging between design and industry?
From two points of view – quantitative (limitation, extinction, extension, exploitation... Who are they? How many are there?) and geographical (belonging, location. Where are they? Who do they belong to?) –, the observed state of resources calls into question the notion of territory and its re-qualification as a resource in the face of their predicted limitation or possible extinction.
From transition to disappearance, from hope to melancholy, Ressource(s), présager demain questions investment choices in the light of the scientific concepts and ideologies to which they refer.
11.30am - 12.30pm | Cross talk
Moderator: Sylvain Bourmeau (journalist and director of the online journal AOC)
With Philippe Bihouix (engineer, CEO of AREP, author with Vincent Perriot of the album Ressources, un défi pour l’humanité, Casterman 2024) and Jean-Baptiste Fressoz (historian of science, technology and the environment, author of Sans transition : Une nouvelle histoire de l’énergie, Paris, Le Seuil 2024)
12.30 pm - 2 pm | Workshop - Frugal Pursuit: architects and designers faced with the ecological emergency
Moderated by Aliette Platiau, Romaric Quentin and Céline David, AREP
‘Frugal Pursuit’ invites you to playfully discover the repertoire of eco-construction solutions: bio-sourced materials, raw earth, reuse, etc. Two teams compete against each other to design a building with the lowest environmental impact. To win, the players have to come up with the best solutions while keeping to the budget and deadlines for their project!
The workshops are led by the AREP team, the post-carbon agency: www.arep.fr
14h - 15h30 | Two case studies - Resources: extraction, exploitation, use
Moderator: Jeanne Quéheillard
With the Grenoble CEA and its Y.SPOT laboratory (David Bihanic, Tiana Delhome, Nicolas Géraud, Bruno Truong) for the 1st case study, and Jacopo Rasmi, (lecturer in visual arts and Italian studies at the Université Jean-Monnet in Saint-Étienne) for the 2nd case study
3.45pm - 5.15pm | Round Table - Resources have a territory, territories have resources
Moderator: Jeanne Quéheillard
With Nicolas Verschaeve (designer, educational coordinator for the Territorial Design post-master’s programme, ENSAD PSL), Pablo Bras (designer, educational coordinator for the Territorial Design post-master’s programme, ENSAD PSL), Emmanuel Louisgrand (artist and garden designer), Romaric Quentin (head of the AREP design studio), Céline David (AREP design director), Léana Fiorito (biomethane development officer for GRDF in the Loire, Drôme and Ardèche regions) and Isabelle Daëron (designer, co-curator of the Ressource(s), présager demain exhibition).
5.30pm | Screening of the documentary film Tribunal sur le Congo (2017, 1h40) by Milo Rau
The ‘magic’ of AI intelligence is opening up for use by everyone. Inevitable progress for some, new evils for others, it’s hard to give up on this technology, you just have to work with it. Getting to grips with it means understanding its capabilities, limitations and weaknesses. There is still a lot of educational work to be done. Information and training to live with AI and act with it are becoming a key issue.
2pm - 3pm | Young people’s conference
High school and university students talk about their experiences and work with AI.
Keynote speaker: Étienne Mineur (designer, expert in the relationship between graphic design and interactivity, co-curator of the exhibition Ressource(s), présager demain)
3pm - 4.30pm | The scholars’ conference
Moderator: Jeanne Quéheillard
With Anne Alombert (researcher, member of the Conseil national du numérique, author of Schizophrénie numérique), Étienne Mineur (designer, expert in the relationship between graphic design and interactivity, co-curator of the exhibition Ressource(s), présager demain), David-Olivier Lartigaud and François Brument (Random Lab, Ésad Saint-Étienne)
The phrase ‘everything is design’, often uttered in the 20th century, leaves open the question of what constitutes an archive for design and what strategies are used to create it. They are also resources for different fields of research, the humanities, technology, science and history. Questions of classification, choice of objects and research methods arise in relation to the value attributed to the elements retained and preserved by the designers themselves. What narratives do they wish to link their own history to?
11.30am - 12.30pm | Introductory lecture - Patricia Falguières (philosopher, teacher and art historian)
14h - 15h30 | Round table - Where are the archives?
Moderator: Jeanne Quéheillard
With Pia Rigaldies (archivist), Nestor Perkal (designer, scenographer and curator of the exhibition Qui êtes-vous Raymond Guidot), Fabrice Luzu (collector, Projet 3 Coupoles), Caroll Maréchal (teacher-researcher at Head - Geneva), ...
3.45pm - 5.15pm | Round table - The use of archives
Moderator: Jeanne Quéheillard
With Joris Thomas (head of the design promotion department, MAMC+ Saint-Étienne), Frédérick du Chayla (architect-designer, founding partner of Studio Totem), Pierre Gencey (historian), Matthieu Flory (Éditions Norma), Céline Saraiva (curator, head of the Decorative Arts, Design and Crafts collection at the Centre national des arts plastiques)
17h30 - 18h | Concluding presentation - Patricia Falguières
Materials, the ‘stuff of invention’ for designers, are the subject of innovative research and are increasingly seen as common goods, in the same way as health and housing. Design is reasserting itself as social design. Cartography is one of the tools it uses to create representations that redefine what less is more.
Whether political or critical, design confronts its positions. The screening of a research project, an interview and a round-table discussion will explore, through materials, use, re-use and invention, and the mapping of resources, their economy and sharing, the conditions necessary for design to make resources a common good.
11.30 am - 12.30 pm | Screening of a workshop film, followed by a discussion between designer Erwan Bouroullec and students from the ECAL, École Cantonale d’Art de Lausanne
12.30pm - 2pm | Frugal Pursuit: architects and designers facing up to the ecological emergency
Moderated by Solène Getti and Cécile Michel
‘Frugal Pursuit’ invites you to playfully discover the repertoire of eco-construction solutions: bio-sourced materials, raw earth, re-use, etc. Two teams compete to design a building with the lowest environmental impact. To win, the players have to come up with the best solutions while keeping to the budget and deadlines for their project!
The workshops are led by the AREP team, the post-carbon agency: www.arep.fr
Participants will be able to try out the game in the press/partner area of the Cité du design during lunchtime.
Registration required, places are limited (20 places)
2pm - 2.45pm | Cross talk
Moderator: Jeanne Quéheillard
With Yves Citton (philosopher and essayist) and Sylvia Fredriksson (designer and researcher, co-curator of the exhibition Ressource(s), présager demain)
3pm - 5pm | Round table - Materials, inventories and cartographies
Moderator: Camille Bosqué (designer, teacher and author of Design pour un monde fini, lexique à l’usage de ceux et ceux qui veulent maintenir l’habitabilité du monde, Carnets Parallèles, 2024)
With Arthur Farre (engineer, designer) and Thibaud Klepper (designer, architect), SIGHT Studio; Amandine Guyot (marketing and communications director) and Yelen Atchou (senior UX/UI designer), WEBQAM; Benjamin Malatrait (managing director and co-founder of Ictyos); Grégoire Robida (architect-urban planner, AREP project manager) and Solène Getti (architect D.E., ENTPE building engineer, in charge of environmental and re-use studies at AREP); Alexandra Arènes (Terra forma, Gaiagraphie)
On the occasion of the T4EU week "Design in all its states", organized by the Jean Monnet University (UJM) and in resonance with the Biennale Internationale Design Saint-Étienne 2025, this scientific event highlights the diversity of approaches and collaborations in design developed within the UJM and the École supérieure d’art et design de Saint-Étienne.
This transdisciplinary initiative brings together researchers from different disciplines – arts, engineering, management sciences, law, information technology and computer science – to examine design in its multiple dimensions. The aim is to explore its digital, material and industrial development, the evolving challenges of intellectual property in the face of advances in computing, as well as its role as a driver of innovation for businesses. In addition, the debates will also give the floor to young researchers and creators who will question the roles of the designer, craftsman and artist through sensitive and inclusive approaches, anchored in the contemporary challenges of social, environmental and economic transitions.
Speakers
Scientific director Gwenaelle Bertrand, teacher-researcher (ECLLA laboratory); a dozen teachers-researchers working on design at the Jean Monnet University.
Study days in English, organised within the framework of the European Transform4Europe Alliance (Erasmus Plus) with the help of the Graduate ARTS and the support of the National Research Agency.
arts.univ-st-etienne.fr
This symposium, organised as part of the AD·Rec 2025 conference, will address the meaning of "making" in the creative sphere, its conditions and its forms in life environments undergoing transformation.
This symposium organised by Université Jean Monnet in Saint-Étienne will look at the depictions of the city of Detroit in order to question their ideological, political and ethical subtexts from a resolutely diachronic and multi-disciplinary point of view.
In French and English
09h30-10h00 | Welcome
10h00
– 11h10 | Panel 1. Detroit through the prism of science fiction
• Paper 1: "The city of Detroit through two fictional temporalities: Detroit: Become Human and Robocop", Maëva Borg, independent researcher
• Paper 2: "Delta City or the dystopian representation of the city of Detroit in the Robocop franchise", Julien Plouchart, independent researcher
11.30am - 12.40pm | Panel 2. Preservation and transformation
• Paper 1: ‘Museums for sale’, Isabelle Schmitt, University of Burgundy
• Paper 2: "The narration of urban agrarianisation in Detroit. Concurrences, alliances, conflicts", Rémi Guillem, Université Paris 8 de Vincennes Saint-Denis, and Flaminia Paddeu, Université Sorbonne Paris Nord
Lunch break | 12h40-13h50
13h50-15h00 | Panel 3. Cultural and musical tourism
• Paper 1: "Detroit as a tourist destination, past and present: cars, ruins and MICE (Michigan Central Station) in the service of a renaissance", Patrice Ballester, Conseil National des Universités
• Paper 2: "The music after. Detroit through techno: tourism, resistance and circulation", Frédéric Trottier-Pistien, Avignon University
15h00 - 15h15 | Coffee break
15h15-16h25 | Panel 4. Subjective perspectives of Detroiters
• Paper 1 : "Representing Detroit: Decline or Transformation? Focusing on the City’s Human and Cultural Capital", Roopa Chauhan, independent researcher
• Paper 2 : "Memory or Fantasy? Romanticizing Detroit in Curtis Chin’s Everything I Learned, I Learned in a Chinese Restaurant: A Memoir", Christelle Ha Soon Lahaye, Université Versailles Saint-Quentin
16h25- 16h40 | Coffee break
16h40 - 18h00 | Plenary lecture, Aude Le Gallou, Université de Genève
18h00-midnight | Cocktail and musical evening: a tribute to the music of Detroit, La Fabuleuse Cantine, 1 rue Claudius-Ravachol,
9h30-10h00 | Welcome
10h00 - 11h10 | Video games
• Paper 1: Emma Fraser, University of Berkeley
• Paper 2: "Deterritorializing Detroit: How Speculative Play in Detroit: Become Human (Re)Mediates American History, Politics and Ethics‘ Kevser Gungör, Université de Montréal and Université Paris 8 de Vincennes Saint-Denis
11h10 - 11h30 | Coffee break
11h30-12h50 | Plenary lecture: Raphaëlle Guidée, Université Paris 8 de Vincennes Saint-Denis
12h50-14h00 | Lunch break
14h00-14h50 | "What is ruin called?" Discussion between Diane Scott, Paris 8 - Vincennes Saint-Denis, and Jonathan Tichit, Aix-Marseille University
14h50 - 15h05 | Coffee break
15h05 - 16h45 | Panel 3. Photographing Detroit
• Paper 1: "From a catalogue of ruins to a chronicle of change", Danièle Méaux, Université Jean Monnet Saint-Étienne
• Paper 2: "Vanishing Point, a photographic and motorised exploration of the ru(i)nes of Detroit", Julie Meyer, Université Jean Monnet Saint-Étienne
16h45 - 17h00 | Coffee break
17h00 - 18h00 | "The ruins of Detroit, 2005-2025", Romain Meffre and Yves Marchand, photographers, authors of Les Ruines de Détroit
18h30 - 20h00 | Opening of the exhibitions of Yves Marchand, Romain Meffre and Julie Meyer: Galerie Rêves d’ailleurs (29 Rue Paul-Bert, 42000 Saint-Étienne) and Amicale Laïque Chapelon (16 Pl. Jacquard, 42000 Saint-Étienne)
9h30-10h00 | Welcome
10h00-11h20 | Plenary lecture: Rebecca Kinney, Bowling Green State University, United States
11h20-11h40 | Coffee break
11h40 - 12h50 | Panel 1: Popular and avant-garde culture
• Paper 1: (to come)
• Paper 2: "“Why I am Not a New York Poet” (Ken Mikolowski): Détroit et l’avant-garde poétique (1969-2001)‘, Sophie Chapuis, Université Jean Monnet Saint-Étienne
12h50-14h00 | Lunch break
14h00-15h40 | Panel 2. Visual and literary narratives
• Paper 1 : "There’s (No) Home For You Here : Detroit As Emblem of the Modern American Gothic in Bill Schwab’s Photography", Ariane Dudych, Université Paris Cité
• Paper 2 : Detroit as endless apocalypse in Only Lovers Left Alive (Jim Jarmusch, 2013) and It Follows (David Robert Mitchell, 2014), Vincent Jaunas, Université Jean Monnet Saint-Étienne
• Paper 3: "The Detroit Genre: Dispossession and Resilience in American Literature and Film", Vincent Haddad, Central State University, USA
15h40 - 15h55 | Coffee break
15h55 - 17h05 | Panel 3. Narratives of the past, narratives of the future
• Paper 1: "Malcolm X and Detroit: triumph, fall and rebirth of a revolutionary consciousness", Anne-Lise Mialhe, Université Clermont-Auvergne
• Paper 2: "The rebirth of Detroit as a ’creative city? The role of the creative city narrative in representations of Detroit as a ‘post-industrial frontier’", Simon Renoir, Avignon University
17h05 - 17h10 | Closing remarks