Pour le meilleur

Against a background of sound and musical, women embark upon a performance that involves the audience and which associates work with exhaustion, manipulation, the mechanisation of tasks, the loss of self, boredom, but also the pleasure of doing things well, joy and helping each other. Among the boxes, the fabrics, the lace, they interweave these social and economic ties, question the limits of work and raise the issue of our own commitment to it, using their women's bodies in motion, bodies driven by the emotions that go through them, sleepless bodies, dormant bodies.